Design Philosophies
Design philosophies are the influential factors that help you define and understand your creative process. I've never thought of collating these things into a list but after years of making art, my creative handwriting has been influenced by many things. Whether they are influential artists, places I've visited, personal experiences or past design movements, I feel my creativity is always evolving based on influences from the world around us. These positive influences have altered my design process, helping me learn more about perspective, colour theory and composition which are all things I feel are important to creating illustrations. Below is a list of some of these philosophies. Hopefully, in years to come, I can look back on this and see how my creativity has evolved and if it still incorporates these factors.
Staying Experimental
The best ideas are formed by giving yourself time to play. Play with a concept no matter how small it is; experimenting with different processes allows you to see an idea from a different angle. The best ideas can always be explored in alternate ways: printmaking, ink, riso, clay. Try not to overcomplicate an idea as it should have a clear narrative that can be summarised in a single sentence. Think of the artists and illustrators you admire and how their work can be produced in many ways when the concept is stripped back to its initial idea. Through experimentation, you can see alternate routes that might not have originally been on your radar but add so much more to your project.
Utilising Negative Space
An important factor in my practice is trying to incorporate or leave areas of negative space. With this, it breaks up the image with the white space almost contrasting the imagery. It can also act as a light source to add depth; with heavy imagery or colours, this negative space helps to break up the image so it doesn't feel so overworked. A philosophy I've learned through years of practice and I'll continue to understand, thinking of how a composition can be altered through understanding the importance of negative space.
Incorporating a Narrative
In order to engage with an audience, illustrations need to tell a story without words. Whether it's a children's illustration or traditionally printed outcome, it adds a context to the piece that can be reflected onto other peoples lives; in turn, making it more relatable and forming an emotional connection with your viewer. Stories are all around us if you're willing to see them, it can be a small as a leaf falling on a park bench to reflect the changing of seasons or the star of a new chapter. These small elements make a world more believable, somewhere your audience can feel safe and escape into.
References:
Nesta. 2021. Creative industries are driving economic growth across the UK, on track to create one million new creative industries jobs between 2013 and 2030. [online] Available at: <https://www.nesta.org.uk/press-release/creative-industries-are-driving-economic-growth-across-the-uk-on-track-to-create-one-million-new-creative-industries-jobs-between-2013-and-2030/?gclid=CjwKCAiA78aNBhAlEiwA7B76p-iRajIBWpcD_mM02oOOkBMI_rkpuIKhYelDc3XhSKpCiy5K6XWeHRoCcz8QAvD_BwE> [Accessed 9 December 2021].
Medium. 2021. Top 7 Illustration trends 2021. [online] Available at: <https://medium.muz.li/top-7-illustration-trends-2021-e09546f17630> [Accessed 9 December 2021].
Itsnicethat.com. 2021. Illustration | It's Nice That. [online] Available at: <https://www.itsnicethat.com/illustration> [Accessed 9 December 2021].
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